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This long-awaited volume springs from a 1992 conference at the Asian Art Museum in San Francisco, Sikh Art and Literature, held in conjunction with an exhibition focused on Sikh painting, Splendors of the Punjab: Art of the Sikhs. Generously illustrated with many color plates and almost one hundred pictures in black and white, the book provides a fine compilation of visual arts we may associate with Sikhism, including eighteenth- and nineteenth-century painting, architecture, and the artistic documentation of colonial observers, as well as, importantly, photography and paintings by contemporary Sikh artists. Essays concerning accomplished Sikh authors of the nineteenth and… Full Review

John O'Brian's compact but ambitious book eludes categorization. Most obviously, it is the latest entry in the "modernism comes to America" genre. It is also a reception study more sophisticated than the usual "critical fortune" type, taking account of muted but tenacious ideologies as well as overt expressions of opinion and taste. Finally, the book positions itself within the recent trend of institutional histories in the art world, especially of museums and the trade in art. O'Brian's point of entry into this intersection of diverse fields is the art of Henri Matisse and the response to it in the United… Full Review

In 1969, Rembrandt's Etchings: An Illustrated Critical Catalogue by Christopher White and Karel Boon was published in an independent edition (Amsterdam: Van Gendt & Co. / London: A. Zwemmer Ltd. / New York: Abner Schram) and as part of the Hollstein series (F.W. H. Hollstein, Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700, Amsterdam 1949). More than three decades later, despite the steady stream of publications devoted to the artist's paintings and studio practices, White and Boon is still the most up-to-date catalogue raisonné of Rembrandt's etchings. At present, activity in this relatively quiet corner of Rembrandt… Full Review

Natives from Puget Sound to Southeast Alaska have for centuries created remarkable and striking masks. These artworks are the subject Down from the Shimmering Sky: Masks of the Northwest Coast, the catalogue of an exhibition put on at the Vancouver Art Gallery in 1998 and currently traveling about the United States and Canada. The two curators of the exhibit, Peter Macnair and Robert Joseph, join with Vancouver Art Gallery Senior Curator Bruce Greenville to present this lavishly illustrated compendium of masks from the late eighteenth century to the present. Macnair, Joseph and Greenville's project is ambitious. The curators' intention,… Full Review

The editors understand this collection of essays to be concerned with "the making of art-historical meaning." They divide the volume into sections that broadly categorize the subjects which art history has addressed since its origins in the nineteenth century: "Philosophy of History and Historiography," "The Subjects and Objects of Art History," and "Places & Spaces for Visual Studies." The variety of topics and approaches found in the essays themselves, mirrors, so the compilers argue, the diversity, eclecticism and heuristic procedures of present-day art history. In the introduction the editors locate current efforts towards interpreting art in a "postepistemological age," by… Full Review

Neil Leach's The Anaesthetics of Architecture proclaims itself a polemical work that aims to challenge the unrigorous thinking that has dominated architecture in recent years. The book stages this challenge as a critique of the image, only making explicit any association between the visual and the textual in its final pages. Leach's argument is that society has been completely aestheticized through the saturation by, and intoxication with, images, ultimately producing an anaesthetizing effect as manifested in the loss of criticality and the mindless consumption of everything from Coca-Cola to political movements and philosophical constructs. Leach ends by questioning whether "within… Full Review

Alice Friedman begins her book Women and the Making of the Modern House: A Social and Architectural History with the question, "Why were independent women clients such powerful catalysts for innovation in domestic projects?" She answers it through a series of case studies devoted to twentieth-century houses built for single women: the Hollyhock House, designed by Frank Lloyd Wright for Aline Barnsdall, a wealthy producer of avant-garde theater who was also a friend of Emma Goldman; the Schroeder House, designed together by the cabinetmaker Gerrit Rietveld and his client and lover, Truus Schroeder; the Villa Stein-de Monzie, one of Le… Full Review

Anthologies are an excellent means of stimulating interest and additional research into underexplored areas of art history, and in this regard Shearer West's volume is right on target. It consists of nine essays on various aspects of the Italian cultural presence in transalpine Europe during the late seventeenth and eighteenth centuries, and is introduced by West's informative and comprehensive essay "Visual Culture, Performance Culture and the Italian Diaspora in the Long Eighteenth Century." West rightly claims that this book is the first sustained attempt to study the impact of Italian culture in northern Europe in the eighteenth century, and rightly… Full Review

For thirty years, a significant voice in Indian art-historical scholarship has been Gary Tartakov's, and though his interests and publications have varied, in this book he returns to his original area of expertise, the art of the Calukya dynasty (c. 542-757). The Durga temple (located in Aihole, Karnataka, a south Indian state) has inspired much scholarly speculation. Tartakov examines the Durga temple in two essays; in the first section he unpacks the layers of historiographic writings that engross this monument, and in the second essay he decodes the structure's form and function. Although the two essays are self-contained studies, each… Full Review

On August 15, 944 two sacred objects entered the city of Constantinople. One of these was a letter reputedly sent by Christ to King Abgar of Edessa. The other was a miraculous image of Christ impressed on a cloth and reportedly sent along with this letter. These objects were received with magnificent imperial ceremonial. Although they were soon secreted away within the Great Palace of Constantinople, the image/cloth itself was widely disseminated in Byzantine art. In time, the Holy Face was to become a key figure in Christian art of the Eastern and Western Middle Ages. This important and authoritative… Full Review