- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Eleventh to Fourteenth Century
Dissertations in Progress by Subject, 2020
Braun, Laurel Anne, "Neither Here nor There: Gender and Power within the Liminal Spaces of Double Monasteries" (Binghamton University, A. Walkling)
Brott, LauraLee, "The Holy Land within the Manuscript: Performative Cartography in BL Add. MS 10049" (University of Wisconsin–Madison, T. E. A. Dale)
Caya, Aimee, "Brazen Bodies: The Reception and Materiality of English Monumental Brasses, c. 1300–1540" (Case Western Reserve University, E. Gertsman)
Coyle, Alexander, "Frame and Format between Byzantium and Central Italy, 1200–1300" (Yale University, R. Nelson)
Fein, Ariel, "'The Most Wondrous of Man-Made Works': George of Antoch's Santa Maria dell'Ammiraglio and the Arab-Christian Community of Norman Sicily" (Yale University, R. Nelson)
Fidler, Luke, "Henry the Lion and the Art of Politics in Northern Europe, ca. 1142–1195" (University of Chicago, A. Kumler, R. Neer)
Gambert-Jouan, Anabelle, "The Places of Sculpture in Medieval Italy and Iberia: Production, Diffusion, and Display of Wood 'Deposition' Groups" (Yale University, J. Jung)
Kolarik, Tania, "The Fabric of the Trecento: The Culture of Textiles in the Long Fourteenth Century" (University of Wisconsin–Madison, T. E. A. Dale, J. Pruitt)
Potuckova, Kristina, "The Arts of Women’s Monastic Liturgy, Holy Roman Empire, 1000–1200" (Yale University, J. Jung)
Streiter, Nava, "Schemata: The Language of the Body in Middle Byzantine Illuminated Manuscripts" (Bryn Mawr, A. Walker, C. Hertel)
Summers, Mark, "Reframing Relics: Visible and Material Sanctity in Monstrance Reliquaries" (University of Wisconsin–Madison, T. E. A. Dale, J. Pruitt)
Werwie, Katherine, "Visions across the Gates: Materiality, Symbolism, and Communication in the Historiated Wooden Doors of Medieval European Churches" (Yale University, J. Jung)
Zhao, Meng, "Roaming, Listening, Gazing: Human Presence Onstage in Song-Yuan Landscape Art (960–1368)" (University of Chicago, H. Wu, A. Pop)