- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Patronage, Art Collecting
Dissertations in Progress by Subject, 2020
Blais, Christine, "Agent perturbateur: Blockchain et intelligence artificielle dans l'art contemporain et son marché" (Université de Montréal, C. Bernier)
Brooks, Blair, "Heinz Berggruen: Dealing and Collecting Modern Art in the Shadow of World War II" (CUNY, E. Braun)
Chakalova, Christina, "Artistic Mobility and Cultural Transfer: Prince Eugene of Savoy's Belvedere Palace in Imperial Vienna" (Rutgers, C. Puglisi)
D'Amato, Martina, "La collectionneuse: The Marquise Arconati-Visconti and the Politics of Patronage in the Third Republic" (Bard Graduate Center, D. Krohn)
Fee, Franchesca, "On the Margins of Power: the Art Patronage of the Carafa Family in Naples and Rome" (Rutgers, S. McHam)
Flanagan, Katherine, "Melanesian Decorated Human Remains: Indigenous Display, Colonial Collecting, and Contemporary Exhibitions" (Penn State University, W. Dewey)
Koltiska, Katherine, "The Politics of Culture and Taste in Cleveland, 1876–1930" (Penn State University, C. Zabel)
Lambert, Nora, "Picturing Mobility: Late Medieval and Renaissance Naples at the Threshold of the Mediterranean" (University of Chicago, N. Atkinson)
Nelson, Elyse, "Antonio Canova and His British Patrons: The Late Works and Restoration Europe (1814–1822)" (IFA/NYU, T. Crow)
Play, Caitlin, "Preeminent, Legitimate, and Divinely Ordained: Grand Duke Francesco de' Medici as a Master of the World" (Rutgers, S. McHam)
Raper, Allison, "Blessed Sinner beneath the Cross: Francesco di Vannuccio’s Croce Dipinta from Trecento Siena to 21st-Century South Carolina" (University of Florida, E. Ross)
Smith, Lauryn, "Cultivating Self and Displaying Status: Innovation and Exchange in the Cabinets of Amalia van Solms-Braunfels (1602–1675)" (Case Western Reserve University, C. Scallen)
Sobol, Blythe, "Family Ties: the Patronage of the Family of Madame de Montespan in the Golden Age of Bastards" (IFA/NYU, T. Crow)