- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Visual Studies
Dissertations Completed by Subject, 2018
Show in progress dissertations
Borgen, Maibritt, “Some of My Basic Assumptions: Öyvind Fahlström 1952-1976” (Yale University, C. Buckley, D. Joselit)
Brosnan, Kelsey, “Seductive Surfaces: Anne Vallayer Coster and the Eighteenth-Century Still Life” (Rutgers University, S. Sidlauskas)
Bullock, River, “Listening to Contemporary Art: Vocality as a Technology of Relation” (University of Wisconsin-Madison, J. Casid)
Hahn, Monica, “Go-Between Portraits and the Imperial Imagination circa 1800” (Temple University, E. Pauwels)
Hickey, Amber, “The Aesthetics of Decolonial Worlding: Contemporary Art and Activism Across Turtle Island” (University of California - Santa Cruz, D. Murray)
Jimerson, Lauren, “Defying Gender – Redefining the Nude: Female Artists and the Body in Early 20th century Paris” (Rutgers University, S. Sidlauskas)
Maples, Amanda, “Mobilizing Masquerades: Urban Cultural Arts in Sierra Leone and Beyond” (University of California, Santa Cruz, E. Cameron)
McClenathan, Erin, “Handheld Cinema: The Ephemeral Avant-garde ca.1917–1944” (Georgia, N. Andrew)
McMichael, Alice Lynn, “Rising Above the Faithful: Monumental Ceiling Crosses in Byzantine Cappadocia” (Graduate Center, CUNY, J. Ball)
O'Reilly, Colleen, “Visual Pedagogy in Cold War America: Berenice Abbott, Will Burtin, and the International Visual Literacy Association” (University of Pittsburgh, J. Ellenbogen)
Partridge, Joy, “Visualizing Knowledge in the Illuminated Manuscripts of the Breviari d'amor” (Graduate Center, CUNY, C. Hahn)