Twenty-first Century
Dissertations Completed by Subject, 2018

Show in progress dissertations

Dalton, Caitlin, “Imprinting Art and Ideology: Memory and Pedagogy in the Early German Democratic Republic” (Boston University, G. Williams)

Domene-Danés, Maria, “Ar(t)chive Production in Post-War Lebanon” (Indiana University, M. Facos)

Driscoll, Megan, “Art on the Internet and the Digital Public Sphere, 1994 – 2003” (UCLA, M. Kwon)

Eschenburg, Madeline, “Migrating Subjects: The Problem of the “Peasant” in Contemporary Chinese Art” (University of Pittsburgh, M. Gao)

Guo, Xinran, “Afterimages of Socialism: Chinese Contemporary Art, 2000–2010” (Northwestern University, H. Copeland)

Metcalf, Megan, “In the New Body: Simone Forti’s Dance Constructions (1960-61) and their Acquisition by the Museum of Modern Art (MoMA)” (UCLA, M. Kwon)

Myers, Allison, “Cultural Translation and the Reception of French Art in the United States, 1970-1980” (The University of Texas at Austin, R. Shiff)

Vetter, Michael, “Robert Irwin’s New Materialism” (University of Maryland, College Park, J. Shannon)

Yin, Yanfei, “Chinese Traditionalist Painting and the Poetry of Du Fu (712-770): Politicization, Institutionalization, and Self-Expression between 1912 and 1966” (The Ohio State University, J. Andrews)