- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Sixteenth Century
Dissertations Completed by Subject, 2018
Show in progress dissertations
Gans, Sofia, “'An Entire Chapel Cast and Engraved with Images': New Perspectives on the Tomb of St. Sebald in Nuremberg” (Columbia University, S. Murray)
Harpster, Grace, “Carlo Borromeo's Itineraries: The Sacred Image in Post-Tridentine Italy” (UC Berkeley, T. Olson)
Howard, Charles, “Before Fontainebleau: Italian Artists in France,1494-1534” (Institute of Fine Arts/NYU, C. Eisler)
Marraccini, Alexandra, “Unfolded Worlds: Allegory, Alchemy, and The Image As Structure of Knowledge In Early Modern Northern European Scientific Books” (University of Chicago, A. Kumler)
Rich, Brooks, “The Mystery of the Monogram AC at the Margins of Early Printmaking” (University of Pennsylvania, L. Silver)
Schockmel, Bryn, “The Historical Procession of Andrea Mantegna’s Triumps of Caesar: From the Palazzo Ducale to Hampton Court Palace” (Boston University, J. Cranston)
Sepponen, Wendy, “Milanese Bronze, Spanish Stone, and Imperial Materials: Sculptural Interchange and the Leoni Workshops 1549-1608” (University of Michigan, M. Holmes, A. Potts)