- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Seventeenth Century
Dissertations in Progress by Subject, 2018
Adams, Kristen, “The Triumph of Tapestry: Woven Illusions from Raphael to Jordaens” (The Ohio State University, B. Haeger)
An, Christina, “Art Beyond Price or Place: Vermeer, Asia, and the Poetics of Painting” (Boston University, M. Zell)
Bartolome, Ramona Isabel, “Portraits of the Sun King: Examining the Creation, Reception, and Afterlife of Bernini's Portrait of Louis XIV” (Rutgers University, T. Marder)
Boles, Cecily, “Sculpted Female Funerary Portraits in Baroque Rome” (Emory University, S. McPhee)
Brown-Hedjazi, Alexandria, “The Arts of Diplomacy: Artistic Exchange between Early Modern Italy and Safavid Iran” (Stanford University, F. Barry)
Bruckbauer, Ashley, “Dangerous Liaisons: Ambassadors and Embassies in French Art, 1661-1789” (University of North Carolina at Chapel Hill, M. Sheriff and E. Fraser)
Bulkens, Koen, “Rubens’ Workshop during the Twelve Years’ Truce (1609-21)” (Brown University, J. Muller)
Duff, Suzanne, “The Antwerp Saint Luke’s Guild and Its Impact on Artistic Production and Identity, 1556-1663” (Brown University, J. Muller)
Dundas, Iara A., “The Society of Jesus in France: Architecture and Spectacle from 1600-1660” (Duke University, S. Galletti)
Frederick, Michele, “Shaping the Royal Image: Gerrit van Honthorst and the Stuart Courts in London and The Hague, 1620-1649” (University of Delaware, P. Chapman)
Grimmett, Kendra, “Grappling with Hercules: Masculinity and the Heroic Male Nude in Rubens's Time” (University of Pennsylvania, L. Silver)
Lea, Graham, “Biblical History Paintings by Goltzius and Lastman: Their Participation in Local Rhetorical Culture” (Emory University, W. Melion)
Lores-Chavez, Isabella, “Craft, Artifice, and the Discerning Eye in Seventeenth-Century Dutch Still Life Paintings” (Columbia University, D. Freedberg)
McCabe, Sophia Quach, “Hans Rottenhammer in Venice: Networking in Style between Italy and Germany” (University of California, Santa Barbara, M. Meadow, R. Williams in memoriam)
Nakamura, Jun, “Prints and Printedness: Mark-making, Meaning, and Perceptions of Print in the Seventeenth-Century Netherlands” (University of Michigan, C. Brusati)
Paganussi, Caroline, “Bologna la dotta: The University and the Visual Arts in the Age of the Bentivoglio, 1463-1512” (University of Maryland, College Park, M. Gill)
Powell, Catherine, “Cross-pollination: Agnes Block and her network of female botanical artists in the late Dutch Golden Age” (University of Texas at Austin, J. Chipps Smith)
Saravo, Joseph, “Re-Covering Dou: Making a Case for the Cultural Work of Illusionism” (Boston University, M. Zell)
Schrimsher, Kimberly, “Becoming Guercino: Imitation and Innovation in a Seventeenth-Century Painter's Workshop” (Emory University, J. Campbell and S. McPhee)
Segrave, Hannah, “Conjuring Genius: Salvator Rosa and the Dark Arts of Witchcraft” (University of Delaware, D. Stone)
Simmons, Elizabeth, “Volterrano as a Draftsman: Style, Technique, and Connoisseurship of Drawings in Seicento Florence” (University of Delaware, D. Stone)
Snodgrass Plyler, Jennifer, “Images of Power and Anxiety: The Lactating Breast in Seventeenth-Century Dutch and Flemish Art” (University of Maryland, College Park, A. Wheelock)
Su, Wenjie, “Machines of Time, Towers of Knowledge: Miniature Architectural Spaces and the Design of Timepieces in Sino-European Encounters, Seventeenth and Eighteenth Centuries” (Princeton, T. DaCosta Kaufmann)
Upart, Anatole, “Slavic Rome: Constructing Foreign Communities in an Early Modern Italian City, 1450-1750” (University of Chicago, N. Atkinson)
Vázquez, Julia, “The Artist as Curator: Diego Velázquez, 1623-1660” (Columbia University, D. Bodart, M. Cole)
Wan, Sim Hinman, “Third-Space Colonial Architecture: Dutch and Chinese Philanthropic Establishments in the Urbanization of VOC Indonesia, 1640-1740” (University of Illinois at Chicago, M. Pollak)
Zinner, Valerie, “Sumiyoshi Gukei and Early Modern Yamato-e” (Columbia University, M. McKelway)