- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Northern Europe
Dissertations Completed by Subject, 2018
Show in progress dissertations
Hanson, Lauren, “Creating a Scene: Art and Experimentation in Düsseldorf circa 1958” (The University of Texas at Austin, A. Reynolds)
Kirchhoff, Chassica, “The Thun-Hohenstein Album: Constructing the Armored Body in the Holy Roman Empire” (University of Kansas, A. Hedeman/ S. Goddard)
Marraccini, Alexandra, “Unfolded Worlds: Allegory, Alchemy, and The Image As Structure of Knowledge In Early Modern Northern European Scientific Books” (University of Chicago, A. Kumler)
Muckart, Heather, “Absence and Artlessness in Early Modern Church of England Martyr Portraits” (The University of British Columbia, B. Wilson)
Sandoval, Elizabeth, “A Material Sign of Self: The Book as Metaphor and Representation in Fifteenth-Century Northern European Art” (Ohio State University, K. Whittington)
Tillery, Laura, “The Hanse as Artistic Network in Late Medieval Lübeck” (University of Pennsylvania, L. Silver)
Travers, Erin, “Boundaries of the Body: The Art of Anatomy in the Seventeenth-Century Netherlands” (University of California, Santa Barbara, A. Adams)
Van de Meerendonk, Suzanne, “Public displays of affection: Negotiating power and identity in ceremonial receptions in Amsterdam 1580-1660” (University of California, Santa Barbara, A. Adams)
Woodward, Elizabeth, “Le Roman de la Poire: Constructing Courtliness and Courtly Art in Gothic France” (University of Chicago, A. Kumler)
Zumaya, Diva “Clandestine Devotion, Spiritual Reformation and Community Perseverance in Seventeenth-Century Dutch Catholic Visual Culture” (University of California, Santa Barbara, A. Adams)