- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Multimedia/Intermedia
Dissertations in Progress by Subject, 2018
Beardsley, Amanda, “Celestial Mechanics: Technologies of Salvation in American Mormonism” (Binghamton University, T. McDonough and P. Smart)
Corrigan, Nicole, “The Virgin, the Saints, and the Reconquest: Marian Cult Images in Medieval Toledo and Iberia” (Emory University, E. Pastan)
de Laforcade, Sonia,”Áudio-Visual: the Slide as Medium in Brazilian Art of the 1970s”
(Princeton, Irene Small)
Ewé, Tobias, “Expanding the Limits of Sound (Art): Aesthetics on the Edge of Humanity” (The University of British Columbia, T. Smith)
Kirsch, Corinna, “Life, Systems, and Environment in the Work of Les Levine, 1966–1970” (Stony Brook University, Z. Patterson)
Lyons, Samantha, “Synaesthetic Dress: Episodes of Sensational Objects in Performance Art, 1955-1975” (University of Kansas, D. Cateforis)
Murphy, Benjamin, “Fieldwork: Problems of Observation in Latin American Video” (Princeton, I. Small)
Shahi, Kimia, “Margin, Surface, Depth: Picturing the Contours of the Marine in Nineteeth-Century America” (Princeton, R. DeLue)
Stobaugh, Nathan, “New Media, New Masses: VALIE EXPORT’s Arts of Communication” (Princeton, B. Doherty)
Stout, Erin, “The Technosocial Work of Tony Martin and the Audiovisual Avant-Garde, 1960-1970” (Stony Brook University, Z. Patterson)
Thomas, David, “Turn On, Tune In, Don’t Drop Out: The Cybernetic Environments of Pulsa” (Binghamton University, K. Hatch)
Yohalem, Hannah, “Movement and Arrest: Jasper Johns, 1954-1968” (Princeton, H. Foster)