- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Theory/Historiography/Methodology
Dissertations in Progress by Subject, 2017
Bago, Ivana, “Post-Yugoslav Generation: Art, History and Theory at the Unidentified Grave of Yugoslav Twentieth Century” (Duke University, K. Stiles)
Berger, Sara, “L’Horloge qui chante: Technics, Aesthetics, and Telling Time in Nineteenth-Century France” (MIT, A. Dutta)
Bivens, Becky, “Automatic Affects and Formal Feelings: Surrealism and Formalism in Mid-Century Art Criticism” (University of Illinois at Chicago, B. Stimson)
Brandner, Christine, “Addressing Another Body in Jean-Etienne Liotard’s Portraiture” (Yale University, N. Suthor)
Bullock, River, “Listening to Contemporary Art: Vocality as a Technology of Relation” (University of Wisconsin-Madison, J. Casid)
de Laforcade, Sonia”Áudio-Visual: the Slide as Medium in Brazilian Art of the 1970s” (Princeton, I. Small)
Edwards, Randall, “Beyond Land Art: Site, Body, and Self in the Work of Dennis Oppenheim, 1967-75” (Graduate Center, CUNY, H. Senie)
Gorjeltchan, Sasha, “Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100” (University of Toronto, A. Cohen)
Guermazi, Iheb, “Sufi Reading of Art: From Ivan Agueli to Seyyed Hossein Nasr” (MIT, N. Rabbat)
Guidelli-Guidi, Matilde, “Archipelagos of Knowledge: Le Corbusier’s Unrealized Museums, 1919-1965” (Graduate Center, CUNY, R. Golan)
Heckscher, Marguerite, “Objects as Bodies, Bodies as Objects: Medicine and Arts among the Shambaa of Tanzania” (University of Wisconsin-Madison, H. Drewal)
Law, Jessica, “Modernism Laid Bare: Mediation and Measurement, 1913-1990” (The University of British Columbia, J. Mansoor)
Luse, Emilie Anne-Yvonne, “Art Criticism, Art History, and the Far Right in France 1920-1939” (Duke University, M. Antliff)
Myers, Allison, “Cultural Translation and French Art in the United States, 1964-1986” (The University of Texas at Austin, R. Shiff)
Sichel, Jennifer, “Criticism without Authority: Gene Swenson, Jill Johnston, Gregory Battcock” (University of Chicago, D. English and M. Jackson)
Spratt, Emily, “Byzantium not Forgotten: Constructing the Artistic and Cultural Legacy of an Empire between East and West in the Early Modern Period” (Princeton, P. Brown)
Stemberger, Claudia Marion, “On the Idea of Contingency in Art” (Duke University, K. Stiles)
Varner, Jessica, “Chemical Desires (1850-1929): Making the Architectural Materials of Modernity” (MIT, M. Jarzombek)
Wu, Kaicong, “Cognitive Modeling of Design Intention Based on Robotic Assembly” (Princeton University, A. Kilian)