- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Politics/Economics
Dissertations in Progress by Subject, 2017
Bullock, Nathan, “Architecture and the Performance of Citizenship in a Global City: Singapore, 1965-2015” (Duke University, A. Wharton)
Choi, Sooran, “The South Korean Avant-garde, 1967-1992: Subterfuge as Radical Agency” (Graduate Center, CUNY, M. Hadler)
Eardley, Megan, “Halls of Gold and Progress: Modern Architecture and the Expansion of the Mining Industry in Apartheid South Africa (1953-1980)” (Princeton University, B. Colomina)
Johal, Rattanamol Singh, “Dissolving Margins: Indian art in the Globalized 1990s” (Columbia University, A. Alberro)
Ketcham, Christopher M., “Minimal Art and Body Politics in New York City, 1961-1975” (MIT, C. Jones)
Niedbala, Steven, “Penal Aesthetics in the United States, 1950-1985” (Columbia University, B. Bergdoll)
Occhietti, Raphaelle, “Géolocaliser l’économie : matières premières et cartographies dans les arts depuis 1975” (Université de Montréal, O. Asselin)
Parker, Wendy A. “Bringing It All Home: Martha Rosler on Person, Place, and Thing” (University of Iowa, C. Adcock)
Ryan, Caitlin, “Documents of Social Life: Photography in Popular Front France” (Princeton, A. McCauley)
San Martín, Florencia, “The art of Alfredo Jaar: Representing memory, humanitarian crisis, and power relations through the lens of decoloniality” (Rutgers University, T. Flores)
Tifentale, Alise, “The ‘Olympiad of Photography’: The International Federation of Photographic Art, 1950-1965” (Graduate Center, CUNY, S. Wilson)
Walkiewicz, Alice J., “From the 'Song of the Shirt' to the Call to Organize: The Seamstress in Late-19th-Century Art in Europe and the United States” (Graduate Center, CUNY, J. Sund)