- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Patronage, Art Collecting
Dissertations in Progress by Subject, 2017
Ben, Rebecca, “The Arrival of the Leonardeschi in Valencia” (Princeton, T. da Costa Kaufmann)
Brown, Marlise, “The Markgräfin's Two Bodies: The Architecture and Performance of Wilhelmine's Bayreuth” (Temple University, T. Cooper)
Christensen, Theresa Kutasz, “Regina Christina Antiquario: Queen Christina of Sweden’s Development of a Classical Persona Through Allegory and Antiquarian Collecting” (The Pennsylvania State University, R. Thomas)
Courcoula, Alexandra, “The Benaki Collection c. 1920 - 1954: Negotiating Greek Identity” (MIT, N. Rabbat)
Dodds, Lauren, “Collecting the Renaissance: The Samuel H. Kress Collection of Italian Art” (University of Southern California, K. Flint)
Flanagan, Katherine, “Melanesian Decorated Human Remains: Indigenous Display, Colonial Collecting, and Contemporary Exhibitions” (Penn State, W. Dewey)
Gilmore, Shannon, “Miracles at the Margins: The Popular Piety of Miraculous Images in Quattrocento Tuscany” (University of California, Santa Barbara, R. Williams)
Gleeson, Maura, “Between the Public and Private: The Artistic Networks, Friendships, and Self-Fashioning of Hortense de Beauharnais Bonaparte” (University of Florida, M. Hyde)
Koltiska, Katherine, “The Politics of Culture and Taste in Cleveland, 1876–1930” (Penn State, A. Thomas)
Lake-Jedzinak, Justinne, “Collecting Portraits of Early Christian Virgin Martyrs in Seicento Naples” (Bryn Mawr College, D. Cast)
Lortie, Marie, “Afrique en Créations: Transnational patronage in the Francophonie 1990-2011” (University of Toronto, E. Harney)
McCabe, Sophia Quach, “Hans Rottenhammer in Venice: Networking in Style between Italy and Germany” (University of California, Santa Barbara, R. Williams)
Play, Caitlin, “Grand-Duke Francesco de' Medici as Renaissance Emperor: Construction of Ruler Imagery in the Grotta Grande and the Uffizi Tribuna” (Rutgers University, Sarah Blake McHam)
Powell, Catherine, “Cross-pollination: Agnes Block and her network of female botanical artists in the late Dutch Golden Age” (University of Texas at Austin, J. Chipps Smith)
Richardson, Jamie, “Curiosity and Collection Practice in the Constcamer Paintings of Frans II Francken (1581-1642)” (Bryn Mawr College, C. Hertel)
Szalay, Gabriella, “Materializing the Past: The History of Art and Natural History in Germany, 1750-1800” (Columbia University, K. Moxey)
Ziolkowski, Aaron, “Cold War Era Corporate Commissioned Abstraction in Semi Public Spaces” (Penn State, S. Rich)