- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
500 BCE to 500 CE
Dissertations in Progress by Subject, 2016
Arney, Jane, “Gleaming Cauldrons and Golden Offerings: Tripods and Memory in Greek and Roman Culture” (Emory, B. Wescoat)
Bogansky, Amy, “The Merchant’s Middlemen: Factors, Supercargoes, and the Praxis of Exchange in the Early Modern Atlantic World” (Bard Graduate Center, D. Jaffee)
Cheng, Julianne, “Making the Ordered Cosmos: The Gigantomachy in Archaic and Classical Athenian Vase Painting” (Emory, B. Wescoat)
Cochran, Daniel, “Building the Body: Ecclesiastical Art and Architecture in the Formation of Christian Identities in Late Antique Italy (c. 318–450 CE)” (Wisconsin, Madison, T. Dale)
Cupello, Katherine, “Reconstructing Mark Antony: Rethinking the Representation of a Roman Triumvir in the Hellenistic East” (Emory, E. Varner)
Eckhardt, Ashley, “The Crafting of Cult Statues in the High Hellenistic Period” (Emory, B. Wescoat)
Jewell, Kaelin, “Architectural Decorum and Aristocratic Power in Late Antiquity: The Gens Anicii” (Temple, E. Bolman)
Jiang, An, “The Kleophrades Painter and His World” (Emory, B. Wescoat)
Jones, Kira, “Domitian and Minerva at Rome: Iconography and Divine Sanction in the Eternal City” (Emory, E. Varner)
Mundy, Joanna, “Domus and Insulae in the City of Rome: Living Spaces, Design, and Development” (Emory, E. Varner)
Szymanska, Agnieszka, “Divine Spectacle: The Early Byzantine Triconch at the Red Monastery in Egypt” (Temple, E. Bolman)