- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Theory/Historiography/Methodology
Dissertations in Progress by Subject, 2016
Berger, Sara, “L’Horloge qui chante: Technics, Aesthetics, and Telling Time in Nineteenth-Century France” (MIT, A. Dutta)
Berkowitz, Elizabeth, “Bloomsbury’s Byzantium and the Writing of Modern Art” (CUNY, R. Long)
Brandner, Christine, “Addressing another Body in Jean-Etienne Liotard’s Portraiture” (Yale, N. Suthor)
Bullock, Nathan, “Architecture and the Performance of Citizenship in a Global City: Singapore, 1965–2015” (Duke, A. Wharton)
de Laforcade, Sonia,“Áudio-Visual: The Slide as Medium in Brazilian Art of the 1970s” (Princeton, Irene Small)
Dorofeeva, Maria, “Fantasizing Manhood: Art and Sexual Politics in Spain, 1898–1939” (UIUC O. Vazquez)
Edwards, Randall, “Beyond Land Art: Site, Body, and Self in the Work of Dennis Oppenheim, 1967–75” (CUNY, H. Senie)
Heckscher, Marguerite, “Objects as Bodies, Bodies as Objects: Medicine and Arts among the Shambaa of Tanzania” (Wisconsin, Madison, H. Drewal)
Jang, Sunhee, “Contemporary Art and the Search for History: The Emergence of the Artist–Historian” (UIUC, T. Weissman)
Kubo, Michael, “Architecture Incorporated: Authorship, Anonymity, and Collaboration in Postwar Modernism” (MIT, M. Jarzombek)
Law, Jessica, “Painting Laid Bare: Mapping the Diagram within Modern Art” (University of British Columbia, J. Mansoor)
Lewis, Emma Stein, “Unfixing Space and Time in Contemporary Photography: How Porosity, Social Constructions of Space, and Reenactment Produce Alternative Histories” (University of New Mexico, K. P. Buick )
Nuijsink, Cathelijne, “What is a House?: Architects Redesigning the Domestic Sphere in Contemporary Japan, 1995–2011” (Pennsylvania, A. Kano)
Roesch, Nathanael, “On Sport, Representation, and Contemporary Art” (Bryn Mawr, L. Saltzman)
Schmidt, Sebastian, “From Global War to Global Cities: Planning, Art, and Post-WWII Urban History in New York, Berlin, and Tokyo” (MIT, M. Jarzombek)
Sichel, Jennifer, “Criticism without Authority: Gene Swenson, Jill Johnston, Gregory Battcock” (Chicago, D. English)
Spratt, Emily, “Byzantium not Forgotten: Constructing the Artistic and Cultural Legacy of an Empire between East and West in the Early Modern Period” (Princeton, P. Brown)
Stemberger, Claudia Marion, “On the Idea of Contingency in Art” (Duke, K. Stiles)
Tankha, Akshaya, “The Aesthetics of Indigenous Difference in Nagaland, Northeast India: Art and Visual Culture as Being and Belonging in Late Liberal South Asia” (Toronto, K. Jain)