- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Patronage, Art Collecting
Dissertations in Progress by Subject, 2016
Becherini, Marta, “Staging the Foreign: Niccolò Manucci (1638–ca.1720) and Early Modern European Collections of Indian Painting” (Columbia, V. Dehejia)
Brennan, Christine, “The Brummer Gallery and Its Impact on the Market for Medieval Art and Collectors in Twentieth-Century Paris and New York” (Bard Graduate Center, D. Krohn)
D’Amato, Martina, “La Collectionneuse: The Marquise Arconati-Visconti and the Politics of Patronage in the Third Republic” (Bard Graduate Center, D. Krohn)
DeGregorio, William, “Objectifying Dress: Collecting Historic Costume in the United States, 1920–1970” (Bard Graduate Center, C. Whalen)
Dodds, Lauren, “Collecting the Renaissance: The Samuel H. Kress Collection of Italian Art” (USC, K. Flint)
Eisenbarth, Erin, “Imagining the Founding Fathers: Luther and DeLancey Kountze’s Collection of Washingtoniana" (Bard Graduate Center, C. Whalen)
Flanagan, Katherine, “Displays of Melanesian Human Remains: Indigenous Arrangements, Colonial Photographs, and Contemporary Exhibitions” (Penn State, W. Dewey)
Iselin, Katherine, “Historia Spintriae: The Pleasures of Collecting Ancient Erotica” (Missouri, K. W. Slane; M. Yonan)
Koltiska, Katherine, “The Politics of Culture and Taste in Cleveland, 1876–1930: Collectors and Private Collections in the Public Sphere” (Penn State, B. Curran, A. Thomas)
Christensen, Theresa Kutasz, “Regina Christina Antiquario: Queen Christina of Sweden’s Development of a Classical Persona Through Allegory and Antiquarian Collecting” (Penn State, R. Thomas)
Szalay, Gabriella, “Materializing the Past: The History of Art and Natural History in Germany, 1750–1800” (Columbia, K. Moxey)
Whittaker, Loren, “An American Jesuit Treasury of Religious Art: The Van Ackeren Collection in the Greenlease Gallery at Rockhurst University” (Kansas, S. Cornelison)
Ziolkowski, Aaron, “American Corporate Art and Architecture in the Mid 20th Century” (Penn State, S. Rich)