- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Nineteenth-Century Art
Dissertations Completed by Subject, 2015
Show in progress dissertations
Bass-Krueger, Maude, “The Culture of Dress History in France: The Past in Fashion, 1814–1900” (Bard Graduate Center, P. Miller)
Benjamin, Elizabeth, “Caillebotte’s Things: People and Possessions Entangled” (Northwestern, S. H. Clayson)
Coleman, William L., “Something of an Architect: Thomas Cole and the Country House Ideal” (UC Berkeley, M. Lovell)
Desmarais (Pattee), Mary Dailey, “Claude Monet: Behind the Light” (Yale, C. Armstrong)
DiMarco, Christa, “Painting in Paris: Vincent Van Gogh, 1886–1888” (Temple, T. Dolan)
Hereford, Kimberly, “Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850–1915” (University of Washington, S. Casteras)
Manning, Mary, “Frédéric Bazille and Masculinity between Paris and Montpellier, 1841–1870” (Rutgers, S. Sidlauskas)
McCain, Sandy, “A Southerner’s Agenda: Charles Fraser and his Landscape Images” (Georgia, J. Simon)
McCarthy, Megan, “The Empire on Display: Exhibitions of Germanic Art and Design in America, 1890–1914” (Columbia, E. Hutchinson)
Microulis, Laura, “In Pursuit of Art Manufacture: The Business and Design History of Gillow and Company, British Cabinet Maker and House Furnisher, 1862–1897” (Bard Graduate Center, P. Kirkham)
Pollack, Maika, “Odilon Redon: The Color of the Unconscious” (Princeton, A. McCauley)
Salsbury, Britany, “The Print Portfolio and the Bourgeoisie in Fin-de-Siècle Paris” (CUNY, K. Murphy)
Scholz, Frederun, “Studies on Costume Histories from the Age of German Kulturgeschichte” (Bard Graduate Center, A. Ogata)
Slavkin, Mary, “Dynamics and Divisions at the Salons of the Rose + Croix: Statistics, Aesthetic Theories, Practices, and Subjects” (CUNY, R. Long)
Slipp, Naomi, “The Secret Figure: Artistic Anatomy and the Search for the Medical Body in Nineteenth-Century American Art” (Boston, P. Hills)
Taouchichet, Sofiane, “La presse satirique illustrée et la colonisation (1829–1990)” (Université de Montréal, T. Porterfield; S. Le Men)
Wood Kirchhoff, Mary Catherine Lee, “Benjamin West’s Nelson Memorial: Neoclassical Sculpture and the Atlantic World, ca. 1812” (Delaware, W. Bellion)