- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Global Networks/Diasporas/Comparative
Dissertations in Progress by Subject, 2015
Curtis, Susan, “Moving Metal, Emotional Kinesthetics: The Sculpture of Sokari Douglas Camp” (Wisconsin, Madison, H. Drewal)
Faccion e Ferreira Pinto, Debora, “An Odd Man Out: Antonio Dias in 1970s Art Worlds” (Binghamton University, K. Hatch)
Ferrero, Sebastian, “Interprétation, transfiguration, et réélaboration du paysage du nouveau monde dans l’imagerie Européenne et Andine à l’époque moderne” (Université de Montréal, L. de Moura Sobral)
Garon, Sandrine, “L’artiste ‘géographiquement pluriel’ au cœur du réseau: Étude de l’impact de la mobilité internationale sur les représentations symboliques des nations canadiennes (1880–1920)” (Université de Montréal, L. Vigneault)
Gautier, Viviane, “Le Louvre Abou Dhabi: dans quels espaces? Les représentations géopolitiques, patrimoniales, muséales, et touristiques” (Université de Montréal, C. Bernier; M. J. Zahar)
Grusiecki, Tomasz, “Globalising the Periphery: Poland-Lithuania and its Interactions with the World, 1587–1668” (McGill, A. Vanhaelen)
Hatton, Brynn, “Via Vietnam: Critique and Collapse in Transnational Protest Art, 1965–75” (Northwestern, H. Feldman)
Magloughlin, Amara, “Art and the City: Walid Raad, postwar Beirut, and the Question of Cosmopolitanism” (Columbia, A. Alberro)
Marshman, Amy, “Ancient Puebloan Human Effigy Vessels: An Examination of Iconography and Tradition” (Virginia Commonwealth, J. Farmer)
Miller, Rachel, “Patron Saint of a World in Crisis: Early Modern Representations of St. Francis Xavier in Europe and Asia” (Pittsburgh, A. Harris; K. Savage)
Nelson, Josh, “The ‘Great Canadian Art Fraud’” (Queen’s, L. Jessup)
Nicewinter, Jeanette, “Cajamarca Ceramic Spoons: Forming a Symbolic Function” (Virginia Commonwealth, J. Farmer)
Occhietti, Raphaelle, “La salle de finance et ses actions: de Goya à l’art contemporain” (Université de Montréal, T. Porterfield)
Parkinson, Nicholas, “Imagining the North: Nordic Art in Nineteenth-Century Visual Culture and Criticism” (Stony Brook University, J. Rubin)
Richer, Angèle, “Image de la nation: Le musée national des beaux-arts du Québec” (Université de Montréal, E. Dubuc)
Stein, Emma Natalya, “All Streets Lead to Temples: Mapping Monumental Histories in Kanchiparam, ca. 690–1199 CE” (Yale, T. Sears)
Strauss, Stephanie, “Rethinking Epi-Olmec: The Art and Epigraphy of the Late Preclassic Isthmus of Tehuantepec” (Texas, Austin, J. Guernsey)
Trottier, Maude, “La sculpture comme objet théorique: Approche transhistorique d’un refoulé de l’histoire de l’art” (Université de Montréal, J. Lamoureux)
Underwood, Joseph, “Platforms for Defining and Disseminating ‘Contemporary Art’ of Senegal: 1960–2015” (Stony Brook University, B. Frank)