- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
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- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Drawings/Prints/Works on Paper/Artists' Books
Dissertations Completed by Subject, 2015
Show in progress dissertations
Gabbarelli, Jamie, “Networks, Copies, Collaboration: Ventura Salimbeni, Philippe Thomassin, Raffaello Guidi, and Printmaking in Rome, 1585–1620” (Yale, S. Boorsch)
Jones, Jennifer, “A Discourse on Drawings: Amateurs, Connoisseurs, and the Graphic Arts in Early Eighteenth-Century Paris” (Columbia, R. Brilliant; D. Rosand)
Pollack, Maika, “Odilon Redon: The Color of the Unconscious” (Princeton, A. McCauley)
Rodgers, Josephine, “Patronage, Power, and Aesthetic Taste: The Marketing of James McNeill Whistler’s Art and Legacy” (Rutgers, S. Sidlauskas)
Salsbury, Britany, “The Print Portfolio and the Bourgeoisie in Fin-de-Siècle Paris” (CUNY, K. Murphy)
Taouchichet, Sofiane, “La presse satirique illustrée et la colonisation (1829–1990)” (Université de Montréal, T. Porterfield; S. Le Men)
Vittoria, Shannon, “Nature and Nostalgia in the Art of Mary Nimmo Moran (1842–1899)” (CUNY, K. Manthorne)
Warren, Maureen, “Politics, Punishment, and Prestige: Images of Johan van Oldenbarnevelt and the States Party in the Dutch Republic, 1618–1672” (Northwestern, C. Swan)
Weyl, Christina, “Abstract Impressions: Women Printmakers and the New York Atelier 17, 1940–55” (Rutgers, J. Marter)