- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
South/Southeast Asian Art
Dissertations in Progress by Subject, 2014
Alary Lavallée, Julie, “Les problèmes de la représentation culturelle: les expositions collectives d’art contemporain de l’Inde en Occident (2005–2011)” (Université de Montréal, C. Bernier)
Bissonauth, Natasha, “Transnational Trends: Parody in Sunil Gupta and Chitra Ganesh, 1980–present” (Cornell, I. Dadi)
Becherini, Marta, “Staging the Foreign: Niccolò Manucci (ca. 1638–1719) and Early European Collections of Indian Paintings” (Columbia, V. Dehejia)
Buck, Tracy, “The Rock Garden: Memory, Place-Making, and Heritage in Chandigarh” (UCLA, S. Mathur)
Desai, Ankur, “Recrafting the Sacred: Negotiating Tradition in Contemporary Svaminarayana Temple Architecture” (Ohio State, S. Huntington)
Di Pietrantonio, Natalia, “Visions of Desire: The Art of Awadh’s Court, 1754–1857” (Cornell, I. Dadi, K. McGowan)
Dickens, Sarah, “Art of the Khmer Rouge: A History of the Visual Culture of Revolution and Genocide and its Legacies in Contemporary Cambodian Art” (Duke, K. Stiles)
Houghteling, Sylvia, “Politics, Poetry, and the Figural Language of South Asian Textiles, 1600–1730” (Yale, E. Cooke, Jr.)
Kaligotla, Subhashini, “Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region” (Columbia, V. Dehejia)
Kumar, Aparna, “Partition and the Historiography of Art in South Asia” (UCLA, S. Mathur)
Little, Lalaine, “Portable Devotion: Philippine Christian Visual Culture, 1521–1815” (Binghamton University, N. Um)
Mays, Eowyn, “Tracing the Imperial Imaginary in American and Philippine Visual Culture, 1898–1918” (Maryland, College Park, R. Ater)
McKnight Sethi, Cristin, “Producing, Collecting, and Exhibiting Phulkari Embroidery from Punjab” (UC Berkeley, J. Williams)
Powers, Sophia, “Contemporary Art and the Ethnographic Impulse in Post-Liberalization India” (UCLA, S. Mathur)
Punj, Nandita, “Up in Alms, Portraits in Giving: The Salibhadra Carita in Early Modern Jain Art” (Rutgers, S. Brett-Smith)
Richardson, Sarah Aoife, “Authoring Images: Painting and Inscription in the Fourteenth-Century Tibetan Buddhist Temple of Shalu” (Toronto, J. Purtle)
Romain, Julie, “Courtly Culture and Visuality in Indian Temple Sculpture, 550–750 CE” (UCLA, R. Brown)
Rozman, Stephanie, “Acquiring Modernity: Collecting and Exhibiting Indian Art in the Early Twentieth Century” (Minnesota, F. Asher)
Sardjono, Sandra, “Tracing Patterns of Textiles in Ancient Java” (UC Berkeley, J. Williams)
Shaffer, Holly, “Maratha Art, Its Production, and Dissemination in India and Britain, 1700–1900” (Yale, T. Barringer, T. Sears)
Shin, Heeryoon, “Building a ‘Modern’ Temple Town: Architecture and Patronage in Eighteenth- and Nineteenth-Century Banaras” (Yale, T. Sears)
Stein, Emma Natalya, “All Streets Leads to Temples: Mapping Monumental Histories in Kanchiparam, ca. 690–1199 CE” (Yale, T. Sears)