- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Latin American/Caribbean Art
Dissertations Completed by Subject, 2014
Show in progress dissertations
Bonilla-Merchav, Lauran, “Manuel de la Cruz Gonzalez: Transnationalism and the Development of Modern Art in Costa Rica” (CUNY, A. Indych-Lopez)
Brodbeck, Katherine, “Charting the Course of Revolution: Artur Barrio and Artistic Education and Exchange in Brazil (1967–1971)” (IFA/NYU, E. Sullivan)
Caragol, Taina, “Boom and Dust: The Rise of Latin American and Latino Art in New York Exhibition Spaces and the Auction House Market, 1970s–1980s” (CUNY, K. Manthorne)
Cornejo, Kency, “Visual Disobedience: The Geopolitics of Experimental Art in Central America, 1990–present” (Duke, K. Stiles, E. Gabara)
Drien, Marcela, “The Arts in the Showcase: Santiago’s Exposición Internacional of 1875” (Stony Brook University, M. Bogart)
Enriquez, Mary Schneider, “Material Witness: Doris Salcedo’s Practice as an Address on Political Violence through Materiality” (Harvard, T. Cummins)
Hamilton, Andrew, “Scale and the Incas” (Harvard, T. Cummins)
Laughlin, Eleanor, “Posed and Deposed: Propaganda and Resistance in Carte-de-visite Photographs of Maximilian von Habsburg during Mexico’s Second Empire (1864–67)” (Florida, M. Hyde, M. Stanfield-Mazzi)
Panbehchi, Michael, “The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Painting in Santiago, Chile” (Virginia Commonwealth, M. Schreffler)
Rarey, Matthew Francis, “Revolting Visions: Contesting Aesthetics in Brazil’s Era of Slave Rebellion” (Wisconsin, Madison, J. Casid)
Zinsli, Beth A., “Fragments along the Archipelago: Photography of the Contemporary Spanish Caribbean and Its Diasporas” (Wisconsin, Madison, J. Casid)