Drawings/Prints/Works on Paper
Dissertations Completed by Subject, 2014

Show in progress dissertations

Allan, Eva, “The Triumph Theme and Its Variations in Long Renaissance Prints” (Yale, C. Wood)

Connelly, Shannon, “Curious Realism: Dada and Die Neue Sachlichkeit in 1920s Karlsruhe” (Rutgers, A. Zervigón)

Ditner, Judy, “War at a Distance: Conceptual Realism in Contemporary Art” (Boston, K. Sichel)

Evans, Emily, “Soviet Photo and the Search for Proletarian Photography, 1926–1937” (UIUC, T. Weissman)

Glebova, Aglaya, “Visualizing Stalinism: Photography of Early Gulags” (UC Berkeley, A. Wagner)

Harris, Mazie M., “Inventors and Manipulators: Photography as Intellectual Property in Nineteenth-Century New York” (Brown, D. Nickel)

Hartvigsen, Kenneth, “‘What We See, What We Sing’: American Illustrated Sheet Music from the Civil War to World War I” (Boston, P. Hills)

Kauffman, Jordan, “Drawing on Architecture: The Socioaesthetics of Architectural Drawing, 1970–1990” (MIT, M. Jarzombek)

Kim, Jennie, “Tradition and Innovation in the Italian Renaissance Workshop: From Perugino to Raphael” (CUNY, J. Saslow)

Klorman-Eraqi, Na’ama, “Feminism and Photography in Britain in 1970s and Early 1980s” (Binghamton University, J. Tagg)

Kruckenberg, Whitney, “Degas, Cassatt, Pissarro, and the belle épreuve” (Temple, T. Dolan)

Lehtinen, Linde B., “Consuming Images: Paul Outerbridge, Jr. and the Art of American Commerce, 1920–1945” (Wisconsin, Madison, B. Buenger)

Maynes, Erin Sullivan, “Speculating on Paper: Print Culture and the German Inflation, 1918–1924” (USC, M. Luke)

Oehlrich, Kristen, “Becoming Walker Evans: Photography, Literature, and Transnational Modernism, 1926–1938” (Brown, D. Nickel)

Oh, Hye-ri, “The Concept of Photography in Korea: The Genealogy of the Korean Conception of Sajin from the Late Choson Dynastic Period through Japanese Colonialism” (Binghamton University, J. Tagg)

Reddy, Meredith, “Artful Mediums: Women, Séance Photography, and Materialization Phenomena, 1880–1930” (Toronto, L. Kaplan)

Schaefer, Sarah, “From Sacred to Spectacular: Gustave Doré’s Biblical Imagery” (Columbia, A. Higonnet)

Suchma, Sharon, “Binding Lives: Southern Photobooks and the Great Depression in America” (CUNY, G. Batchen)

Terry, Colleen, “Presence in Print: William Hogarth in British North America” (Delaware, B. Herman)

Weiss, Sean, “Engineering, Photography, and the Construction of Modern Paris, 1857– 1911” (CUNY, K. Murphy)

Zinsli, Beth A., “Fragments along the Archipelago: Photography of the Contemporary Spanish Caribbean and Its Diasporas” (Wisconsin, Madison, J. Casid)