- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Digital Media/Animation
Dissertations in Progress by Subject, 2014
Funk, Tiffany, “Zen and the Art of Software Performance: John Cage and Lejaren Hiller’s HPSCHD (1967–1969) and its Legacy in Digital Art Practices” (UIC, H. Higgins)
Hartnett, Gerald, “Recorded Objects and Counterauras: Art, Technical Reproducibility, Cybernetics, 1952–1962” (Stony Brook University, A. Uroskie)
Jakubowski, Dan, “Analog Constellation, Digital Assemblages: Contemporary Egyptian Video Art and the Politics of Modernity” (Florida, V. Rovine, J. Tsai)
Lee, Joo Yun, “Sensuous Communities: Materialized Spectatorship in Ryoji Ikeda’s Intermedia Installation and Performance” (Stony Brook University, Z. Patterson)
Léonard Brouillet, Karine, “Absorption des collections traditionnelles par les œuvres Internet au musée: la déchirure numérique comme vecteur de globalisation” (Université de Montréal, C. Bernier)
Lescher, Mery-et, “The Little Studio that Could: Walt Disney Feature Animation’s Florida Studio” (Florida State, R. Neuman)
Rochester, Katherine, “Animating Ornament: From Lotte Reiniger’s Silhouette Films toward a Theory of the Decorative in Animation” (Bryn Mawr, C. Hertel, K. Beckman)
Wiesenberger, Robert, “Visible Language: Muriel Cooper at MIT” (Columbia, B. Bergdoll)