- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Decorative Arts/Textiles/Design History
Dissertations Completed by Subject, 2014
Show in progress dissertations
Arabindan-Kesson, Anna, “Threads of Empire: The Visual Economy of the Cotton Trade in the Indian and Atlantic Ocean Worlds, 1840–1990” (Yale, H. Carby, T. Barringer)
Burnham, M. Helen, “Maude I. Kerns: Crafting a Modern Art, 1907–1940” (CUNY, K. Manthorne)
Dew, Eleanor, “Lenygon & Morant (ca. 1904–1943): ‘Period Style,’ Interior Design, and the Transatlantic Market for English Antiques” (Bard Graduate Center, P. Kirkham)
Fisher, Ellen, “The Life and Work of Mary McFadden with Special Emphasis on the Ancient and Ethnic Sources of Her Design” (Bard Graduate Center, P. Kirkham)
Francis, Razan, “Secrets of Enlightenment Spain’s Contested Islamic Craft Heritage” (MIT, D. Friedman)
Jones, Meghen, “Tomimoto Kenkichi and the Discourse of Modern Japanese Ceramics” (Boston, A. Tseng)
Lichtman, Sarah, “‘Teenagers Have Taken Over the House’: Print Marketing, Teenage Girls, and the Representation, Decoration, and Design of the Postwar Home, ca. 1945–1965” (Bard Graduate Center, P. Kirkham)
Marchand, Marie-Ève, “L’histoire de l’art mise en pièces. Analyse matérielle, spatiale et temporelle de la period room comme dispositif muséal” (Université de Montréal, J. Lamoureux)
Navratil, Emily Schuchardt, “Native American Chic: The Marketing of Native Americans in New York between the World Wars” (CUNY, J. Sund)
Osdene, Stefan, “American Neon: Illuminating the Built Environment with Messages of Consumerism, 1900–1970” (Wisconsin, Madison, A. Smart Martin)
Ortuno, Andrea, “Owning the Exotic: Production of Hispano-Islamic Lusterware and its Reception in Western Europe, 1350–1650” (CUNY, J. Ball)
Richards, Christopher L., “We Have Always Been Fashionable: Embodying Cosmopolitanism and Nationalism through Fashion in Accra, Ghana” (Florida, V. Rovine)
Sanford, Lauren M., “Littoral Crossings: Imagery of Women and Water in Nineteenth-Century Britain” (UNC Chapel Hill, M. Sheriff)
Schmidt-Bach, Debra, “Makers, Masters, and Manufacturers: Early Industrialization of the Silver Trade in Antebellum New York” (Bard Graduate Center, K. Ames)
Warren, Erica, “Munthe’s Myths: Designing a Norwegian Nation in Decorative Art” (Minnesota, G. Weisberg)
Wells, K. L. H., “Tapestry and Tableau: Revival, Reproduction, and the Marketing of Modernism” (USC, N. Troy)