Renaissance/Baroque Art
Dissertations in Progress by Subject, 2011

Show completed dissertations

Ajello, Guendalina, “Rione Parione: The Afterlife of an Ancient Roman Cluster of Spectator Buildings” (IFA/NYU, M. Trachtenberg)

Allan, Eva, “The Triumph Theme and Its Variations in Long Renaissance Prints”
(Yale, C. Wood, A. Dunlop)

Ambler, William, “The Portrait Workshop at the Court of Philip III of Spain (1598–1621)” (IFA/NYU, J. Brown)

Amott, David, “Sanctifying Segregation: The Colonial Cathedral and Community of Mariana, Minas Gerais” (Delaware, M. Domínguez Torres)

Anderson, Carrie, “Johan Maurits’s Brazilian Collection: The Role of Ethnographic Gifts in Colonial Discourse” (Boston, M. Zell)

Arizzoli, Louise, “James Hazen Hyde and the Allegory of the Four Continents: A Research Collection for an Amateur Art Historian” (Indiana, G. Knox)

Aube, Christina, “Michel de Marolles and the Rise of Printmaking in the Grand Siècle” (Delaware, D. Stone)

Baadj, Nadia, “‘Monstrous Creatures and Diverse Strange Things’: The Curious Art of Jan van Kessel I (1626–1679)” (Michigan, C. Brusati)

Backus, Irene, “Asia Materialized: Perceptions of China in Renaissance Florence” (Chicago, R. Zorach)

Baker, Katherine, “Painting and the Luxury Arts in Paris, 1490–1515: Objects and Their Urban Contexts” (Virginia, L. Goedde)

Baseggio Omiccioli, Eveline, “Humanism and Faith: Servite Art in Venice, Patronage at Santa Maria dei Servi” (Rutgers, B. Paul)

Beeny, Emily, “Poussin and Dance: Body and Language in Seventeenth-Century France” (Columbia, D. Freedberg)

Bell, Peter, “The Reinvention of the Bronze Statuette in Renaissance Italy: Presentation, Material, Facture” (IFA/NYU, A. Nagel)

Bentkowski, Sebastian A., “The Artistic and Architectural Patronage at the Court of Alessandro de’ Medici (1531–1537): Strategies of Representation and Legitimation” (UT Austin, L. Waldman)

Beranek, Saskia, “Portrait of a Patron: Image and Identity of Amalia van Solms in Dutch Art and Architecture” (Pittsburgh, A. Sutherland Harris)

Berzal, Javier, “Spaces of Action: Visual Experiences in Early Modern Italian Scenography” (Ohio State, C. Kleinbub)

Bissett, Tara, “Architecture in Print: The Imagery of Triumph in France (1490–1550)” (Toronto, M. Kavaler)

Blom, Laura, “Mobilizing the Macabre: Lippi, Rovezzano, Rosso, and Rustici, 1490–1520” (Johns Hopkins, S. Campbell)

Bouffard-Veilleux, Mickaël, “Le Bel Air et la Bonne Grâce: Attitudes et gestes de la figure noble dans l’art européen (1660–1789)” (Université de Montréal, L. de Moura Sobral)

Boychuk, Joan, “Print Culture at the Court of Emperor Rudolf II: Portraiture, Inscription and Translation” (University of British Columbia, B. Wilson)

Bracken, William, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. J. Sluijter, M. Westermann)

Brekka, Pamela Merrill, “The Antwerp Polyglot Bible’s New World ‘Indian-Jew’ Map as a Reflection of Late Sixteenth-Century Cross Cultural Currents” (Florida, E. Ross)

Brisman, Shira, “Briefkultur: Art and the Epistolary Mode of Address in the Age of Albrecht Dürer” (Yale, C. Wood)

Brown, Sara, “Images of Devotion: The Calvinist Church Interior Paintings of Emanuel de Witte” (Delaware, P. Chapman)

Budny, Virginia, “Benedetto da Maiano and his Workshops” (IFA/NYU, M. Trachtenberg)

Buonanno, Lorenzo G., “Sculpted Altarpieces and the Interaction of the Arts in Early Renaissance Venice” (Columbia, D. Rosand)

Busby, Richard, “Sacramental Ritual and Sites of Remembrance: The Angevin Tombs in San Lorenzo Maggiore, Santa Chiara, and Santa Maria Donnaregina in Naples” (Emory, C. Jean Campbell)

Byron, David, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621” (Yale, C. Wood)

Cantor, Sarah, “Landscape Painting in the Circle of Nicolas Poussin” (Maryland, College Park, A. Colantuono)

Carlson, Alisa, “Social History, Subjectivity, and Self-Fashioning in Hans Holbein the Elder’s Portrait Drawings” (UT Austin, J. Smith)

Chehab, Krystel, “The Politics of Realism: Still Life and Polychrome Sculpture in Seventeenth-Century Spain” (University of British Columbia, B. Wilson)

Chin, Hyeyun, “City, Crown, and the Staging of Global Commerce: The Royal Exchange in Early Modern London” (Binghamton University, A. Walkling)

Churchill, Derek, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)

Cloud, Jasmine, “Renovation in the Campo Vaccino: The Churches on the Roman Forum from Clement VIII to Alexander VII” (Temple, T. Cooper)

Cohen, Ananda, “Mural Painting and Social Change in the Colonial Andes, 1626–1830” (CUNY, E. Quiñones-Keber)

Conrad, Jessamyn, “Telling Time: Contextualizing Narrative Painting in Duccio’s Maestà and the Trecento Altars in the Crossing of the Duomo of Siena” (Columbia, D. Rosand)

Copp, Catherine, “The Carracci and Venice: Annibale Carracci’s Stylistic Response to Venetian Painting, and the Intermediary Roles of Ludovico and Agostino Carracci” (Queen’s, Kingston, D. McTavish)

Corradino, Christopher, “The Life and Work of Giovanni Mansueti” (IFA/NYU, C. Eisler)

Cowen, Dana, “Albrecht Dürer’s Journey to the Netherlands, 1520–1521: A Reconsideration of Past Scholarship and the Importance of Antwerp to the Artist’s Late Work” (Case Western Reserve, C. Scallen)

Coughlin Michael, “Art, Violence, and the Staging of Masculinity in Renaissance Venice” (University of British Columbia, B. Wilson)

Cuenot, Nicole, “The Force of Flowers: Bringing the Outdoors in at Versailles” (Columbia, D. Freedberg)

Cymbala, Amy, “Uxor Carissima, Mulier Clarissima: Women’s Tomb Monuments in Rome, 1550–1750” (Pittsburgh, A. Sutherland Harris)

Daiman, Marina, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)

Damen, Gaida, “The Trade in Antiquities between Italy and the Eastern Mediterranean (c. 1400–1600)” (Princeton, P. Brown)

David, Margaret Diane, “Francesco Mochi, Sculptor (1580–1654)” (Columbia, D. Rosand)

Di Croce, Alessandra, “Collections of Early-Christian and Medieval Art in Baroque Rome” (Columbia, D. Freedberg)

Di Resta, Jason, “Crudeliter accentuando eructant: Rethinking Center and Periphery in the Art of Giovanni Antonio da Pordenone” (Johns Hopkins, S. Campbell)

Dillon, Sarah, “Trecento Visuality and Visual Arts: The Role of Glass and the Influence of Optics on Italian Art of the Fourteenth Century” (CUNY, J. Saslow)

Diorio, Jennifer, “Florentine Workshop Methods of the Second Half of the Fifteenth Century as Analyzed in the Work of Neri di Bicci, Benozzo Gozzoli, and Domenico Ghirlandaio” (Queen’s, Kingston, D. McTavish)

Dooley, Ellen, “Remedying the Decline: Art Patronage in Golden Age Seville” (USC, S. Roberts)

Downey, Erin, “The Bentvueghels: Networking and Agency in the Seicento Art Market” (Temple, T. Cooper)

Dujakovic, Maya, “On Books and Death: The Danse Macabre Printed Books in the Fifteenth Century” (University of British Columbia, C. Knicely)

Edgerton, Hannah, “The Apotheosis of Federico da Montefeltro: Art Power and Identity in Late Quattrocento Italy” (Indiana, G. Knox)

Eldredge, Benjamin, “Pater Patriae, Defensor Fidei, Principe: Andrea Doria, San Matteo, and the Art of Patronage in Sixteenth-Century Italy” (Rutgers, B. Paul)

Elliot-Beatty, Susan, “Alexander VII, Bernini, and the Capella del Voto in Siena” (Toronto, E. Levy)

Estevez, Lisandra, “Jusepe de Ribera’s Self-Fashioning and Artistic Identity in Early Modern Italy and Spain” (Rutgers, C. Puglisi)

Evans, Allison, “Het Tapissierspand: Interpreting the Success of the Antwerp Tapestry Market in the 1500s” (Duke, H. Van Miegroet)

Fenichel, Emily, “Michelangelo and the Cult of the Virgin” (Virginia, D. Summers)

Finocchio, Ross, “Henry Clay Frick, the Collector” (IFA/NYU, J. Brown)

Fishburne, James, “Casting and Ecclesiastical Prince: The Portrait Medals of Pope Julius II” (UCLA, J. Woods-Marsden)

Fisher, Allison, “Artistic Interest in the Life of Alexander the Great during the Italian Renaissance: Designs in All Media, with a Focus on Raphael and his Workshop” (Queen’s, Kingston, C. Hoeniger)

Fitzpatrick, Elena, “Disseminating Devotion: Christological Imagery in Colonial Mexico and Guatemala” (CUNY, E. Quiñones-Keber)

Fletcher, Francis, “Mantegna’s Fictive Reliefs: Painting as Moral Philosophy and the Humanist Language of Historical Inquiry in the Renaissance” (Rutgers, S. McHam)

Ford, Suzan, “Bernini’s Tomb of Urban VIII in St. Peter’s: A Study of Art and Papal Power in the Context of the Counter-Reformation” (Rutgers, T. Marder)

Fowler, Caroline, “The Body and the Copy: Confession, Practice, and Ways of Drawing in the Seventeenth Century” (Princeton, C. Heuer)

Friedman, Hannah, “Blind Virtue and the Practice of Prophecy in the Art of Jusepe de Ribera” (Johns Hopkins, S. Campbell, F. Pereda)

Gardonio-Foat, Casey, “Seventeenth-Century Professional Women Artists in Spain and Portugal” (IFA/NYU, J. Brown)

Geddes, Leslie, “Leonardo da Vinci and the Art of Water” (Princeton, J. Pinto)

Giannino, Denise, “Familial Identity and Site Specificity: A Study of the Hybrid Genre of Dutch Family Landscape Portraiture” (Kansas, L. Stone-Ferrier)

Giviskos, Christine, “Abraham Bosse and the Fine Art of Printmaking” (IFA/NYU, M. Westermann)

Glover, Angela, “Framing Sacred Space: The Early Modern Choir Stall” (Toronto, M. Kavaler)

Graham, Brenna, “The Most Bitter and Untimely of Events: Women, Death, and the Monumental Tomb in Quattrocento Italy” (Rutgers, B. Paul)

Groentjes, Mirjam, “Visual Typology and the Culture of Biblical Reading in the Low Countries, 1550–1600” (Emory, W. Melion)

Haakenson, Hilary, “Mapping Cultural Crossroads: The Old Testament, Geography, and Artistic Rivalry in the Late Medieval Maritime Republics of Italy” (Rutgers, S. McHam)

Hammerschmidt, Jennifer, “Towards a New Medieval Subjectivity: Rogier van der Weyden and the Art of the Carthusians” (UC Santa Barbara, M. Meadow)

Hara, Mari Yoko, “Places of Performance: Art, Architecture, and Scenography of Baldassare Peruzzi (1481–1536)” (Virginia, C. Brothers)

Harper, Katherine, “New Light on Hendrick Goudt: Artist and Nobleman” (Boston, M. Zell)

Harris, Natalie, “Art at the Crossroads: Venice, the Vivarini, and the Negotiation of Cultural Identity, 1410–1510” (Penn State, B. Curran)

Hecker-Silva, Joanna, “Outside Looking in: Francisco de Holanda and the Margins of Renaissance Art” (IFA/NYU, A. Nagel)

Heinrichs, Johanna, “Between City and Country: Francesco Pisani, Palladio, and Sixteenth-Century Architecture in the Veneto” (Princeton, J. Pinto)

Herrin, Amanda, “Picturing Origins: Visual Exegesis in Northern European Art from Bosch to Brueghel” (IFA/NYU, M. Westermann)

Hetherington, Anna Ratner, “Melancholy Illusions: From Bosch to Titian” (Columbia, D. Rosand)

Hoffman, Jessica L., “Adriaen van Ostade’s Festive Peasants” (Maryland, College Park, A. Wheelock)

Horacek, Ivana, “The Prague Court of Rudolf II: The Gift, Ritual, and Cultural Exchange in Central Europe” (University of British Columbia, B. Wilson)

Huang, Xiao, “Francesco Salviati Ritrattista: Experiments in Cinquecento Portraiture” (Queen’s, Kingston, D. McTavish)

Hulst, Titia, “The Leo Castelli Gallery” (IFA/NYU, T. Crow, J. Brown)

Hung, Karen, “The Master of the Parallel Folds: Hans Thoman of Memmingen and the Sculptors of Upper Swabia (1500–1550)” (IFA/NYU, C. Eisler)

Hurst, Ellen, “Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472–1539” (CUNY, J. Saslow)

Ilchman, Frederick, “Tintoretto’s Judgment: Artistic Ambition in Counter-Reformation Venice” (Columbia, D. Rosand)

Imbrey, Jai, “Fictive Frame and Image in Northern Italian Quattrocento Painting” (IFA/NYU, C. Eisler)

Ingersoll, Catharine, “Hans Wertinger in Context: Art, Politics, and Humanism at the Court of Ludwig X, Duke of Bavaria” (UT Austin, J. Smith)

Irwin, Christa, “Rome in Lima: Italian Renaissance Influence in Colonial Peruvian Painting” (CUNY, J. Saslow)

Isard, Katherine, “Scritti secondo Vitruvio: Vincenzo Scamozzi and Reading as Architectural Practice in Sixteenth-Century Italy” (Columbia, D. Rosand, F. Benelli)

Jacobi, Lauren, “The Topography of Money: The Architecture and Urbanism of Renaissance Banks in Italy” (IFA/NYU, M. Trachtenberg)

Jakobiec, Katarzyna (Katie), “Merchant Builders and the Materials of Building: Polish Architecture ca. 1600” (Toronto, C. Anderson)

Johnson, Rachel, “Suburban Bruegel: Chorography and Rhetoric in Pieter Bruegel’s Series of the Months” (UC Santa Barbara, M. Meadow)

Karentzos, Loukas, “Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century” (Princeton, J. Pinto)

Kawase, Yusuke, “Jusepe de Ribera and His Workshop in Naples, 1616–1652: Its Function and Practice” (IFA/NYU, J. Brown)

Keener, Chrystine, “Jacopo Pontormo and the Transformation of Christology in Early-Modern Florence” (Indiana, G. Knox)

Kehoe, Marsely, “Dutching at Home and Abroad: Dutch Trade and Manufacture of Foreign Materials and Landscapes in the Golden Age” (Wisconsin, Madison, A. Andrzejewski)

Kemling, Michael, “The Portraits of Michelangelo: 1508–1564” (Georgia, S. Zuraw)

Kennedy, Trinita, “Pandolfo Petrucci’s Patronage at the Osservanza: A Study in Political and Religious Crisis in Renaissance Siena” (IFA/NYU, K. Weil-Garris Brandt)

Kim, Anna, “Real Presence: The Iconic Image between Byzantium and Italy and Beyond” (Virginia, D. Summers)

Kim, Jennie, “Tradition, Theory, and Practice: Drawings in the Italian Renaissance Workshop, from Pietro Perugino to the Pupils of Raphael” (CUNY, J. Saslow)

Kinew, Shawon, “The Project of Sculpture in the Age of Alexander VII: Melchiorre Cafà and Gian Lorenzo Bernini in the World” (Harvard, F. Fehrenbach)

Kornegay, Kevin, “Ghent and the World Exhibition of 1913” (Duke, H. Van Miegroet)

Kulpa, Pierette, “From Michelangelo to Mussolini: Attribution and Appropriation in the Palestrina Pietà” (Penn State, B. Curran)

Lamsechi, Guita, “Beyond the Frame: Images of Vegetal Nature across the Arts in Northern Renaissance Europe” (Toronto, E. M. Kavaler)

Langer, Lara, “Andrea Sansovino: Mastering the Spectacle of Sculpture in Sixteenth-Century Italian Art” (Maryland, College Park, M. Gill)

Langusi, Daniela, “Wenzel Cobergher: The Artist as Uomo Universale in Early Baroque Europe” (Penn State, C. Houghton)

Leaper, Laura, “Fray Diego de Valadés, Rhetorica Christiana: Forming an Image of New Spain” (IFA/NYU, J. Brown)

Lentz, Edwin, “Imaging Knowledge in the Art of Breugel and Ortelius” (UT Austin, J. Smith)

Lepine-Cercone, Chantelle, “Art and Business in Seventeenth-Century Naples: The Collecting and Dealing Practices of Gaspare Roomer” (Queen’s, Kingston, S. Schütze, S. Dickey)

Leyva-Gutierrez, Niria, “Fernandez de Santa Cruz y Sahagun: Prelate and Patron of Pueblo in Seventeenth Century” (IFA/NYU, J. Brown)

Libby, Alexandra, “Piety and Politics in the Triumph of the Eucharist Series” (Maryland, Biltmore, A. Wheelock)

Libina, Marsha, “Sebastiano del Piombo: From Venice to Rome and His Collaboration with Michelangelo” (Johns Hopkins, S. Campbell)

Long, Rebecca, “Bartolomé Carducho and Italian Artists at the Spanish Court, 1580–1621” (IFA/NYU, J. Brown)

Lynch, April, “Spirituality of Beauty in the Art of Artemisia Gentileschi and Elisabetta Sirani” (Graduate Theological Union, A. Holder)

Magill, Kelley, “Reforming the Art of Martyrdom: The Exploration of the Catacombs and Early Christian Revival in Post-Tridentine Rome” (UT Austin, L. Waldman)

Mangone, Carolina, “Bernini as the New Michelangelo: Imitation and Identity in Art, Architecture, and Biography” (Toronto, E. Levy)

Maratsos, Jessica, “Pontormo: Stylistic Dialogue and the Italian Reform” (Columbia, D. Rosand)

Martin, Annabeth, “The Religious Works of Lorenzo Costa, Painter to the Bentivoglio” (IFA/NYU, K. Weil-Garris Brandt)

Martone-Dragani, Concetta, “Artistic Culture in Naples in the Early Seventeenth Century” (Temple, T. Cooper)

Maurer, Maria, “The Palazzo del Te and the Spaces of Masculinity in Early Modern Italy” (Indiana, G. Knox)

Maze, Daniel Wallace, “Gentile Bellini and Transformations in Fifteenth-Century Venetian Art” (UCLA, J. Woods-Marsden)

McColeman, Susanne, “Vasari, Invention, and Fantasy: Grotesques in the Palazzo Vecchio and the Uffizi” (Queen’s, Kingston, U. D’Elia)

Merrill, Elizabeth, “Francesco di Giorgio as Itinerant Architect” (Virginia, C. Brothers)

Minter, Erin Sutherland, “Michelangelo and Pope Paul III, 1534–49: Patronage, Collaboration, and Construction of Identity in Renaissance Rome” (Washington University, W. Wallace)

Morhart, Amanda M., “Black Africans and Female Protagonists in Italian Renaissance Painting” (Queen’s, Kingston, C. Hoeniger)

Morris, Jennifer, “Art, Astrology, and the Apocalypse: Visualizing the Occult in Post-Reformation Germany” (Princeton, T. DaCosta Kaufmann)

Moynihan, Kim-Ly, “Comedy, Science, and the Reform of Description in Lombard Painting of the Late Renaissance: Arcimboldo, Vincenzo Campi, and Bartolomeo Passerotti” (Columbia, D. Rosand, D. Freedberg)

Murray, Colin Alexander, “Friendship and Collaboration in the Painting of Early Modern Venice” (Toronto, P. Sohm)

Murray, Xiomra, “Before the ‘Mellon Gallery’: Toward an American National Gallery of Art, 1816–1937” (IFA/NYU, C. Eisler)

Napolitano, Elena, “Prospects of Statecraft: Urban Strategy and the Vision of French Nationhood in Rome, 1660–1700” (Toronto, E. Levy)

Nayyar, Reshma, “Visions of the Divine: Baciccio’s Frescoes at the Gesù in Rome” (Rutgers, C. Puglisi)

Nelson, Jennifer, “Talismans of Art and the Combinatoric Mode in Northern Europe, 1510–1555” (Yale, C. Wood)

Nelson, Sean, “Jerusalem Lost: Crusade, Myth, and Historical Imagination in Grand Ducal Florence” (USC, S. Roberts)

Neumann, Elisabeth, “Imagining European Community: Allegories of the Continents in the Netherlands, 1520–1600” (Toronto, M. Kavaler)

Newman, Abigail, “Picturing Flanders Abroad: Flemish Painters and Their Audiences in Seventeenth-Century Madrid” (Princeton, T. DaCosta Kaufmann)

Ng, Aimee, “Painting, Trauma, and the Sack of Rome” (Columbia, D. Rosand, D. Freedberg)

Nickel, Kirk, “Monstrous Histories: The Past and Its Likeness in the Painting of Moretto da Brescia, 1525–1554” (Pennsylvania, L. Silver)

O’Leary, Heather, “‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)

Olah, Iva, “Magic and Memory in the Florentine Picture Chronicle (1470–75): Visualizing a Florentine Humanist Worldview” (Chicago, R. Zorach)

Onafuwa, Obayemi, “Bruegel’s Vernacular Bodies” (Columbia, D. Freedberg, K. Moxey)

Packard, Arianna, “Antiquarianism and the Creation of the Catafalque of Paul V” (Columbia, D. Rosand)

Packer, Michelle, “‘Aenschouwer, siet hoe alle dingh verkeeret!’: Envisioning Change in the Seventeenth-Century Dutch Cityscape” (UC Santa Barbara, A. Adams)

Packer, Lelia, “Mimetic Media: Imitation and Illusionism in the Graphic Art of the Netherlands, 1580–1620” (IFA/NYU, M. Westermann)

Parsons, Kimberly, “Under the Shadow of Florence: Sienese Art Production during Early Medici Rule” (Penn State, B. Curran)

Perkins, Elizabeth, “Antonello da Messina and the Independent Portrait in Fifteenth-Century Venice” (Columbia, D. Rosand)

Petcu, Elizabeth, “Orders of Elaboration: Wendel Dietterlin and the Architectura” (Princeton, T. DaCosta Kaufmann)

Porthé, Rainbow, “Planctus Provinciae: Arts of Mourning in Fifteenth-Century Provence” (Chicago, R. Zorach)

Powell, Olivia, “The Choreographic Imagination in Renaissance Art” (Columbia, D. Rosand)

Proctor, Anne, “Vincenzo Danti at the Medici Court: Constructing Professional Identity in Late Renaissance Florence” (UT Austin, L. Waldman)

Prottas, Nathaniel, “Creative Copies: Survival and Revival in German and Netherlandish Art at the Turn of the Sixteenth Century” (Pennsylvania, L. Silver)

Purvis, Betsy Bennett, “Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450–1550” (Toronto, P. Sohm)

Reed Frederick, Amy, “Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture” (Case Western Reserve, C. Scallen)

Remond, Jaya, “The Kunstbüchlein: Transmitting Artistic Know-How in Renaissance Germany” (Harvard, J. Koerner)

Rife, Ellen O’Neil, “The Exotic Gift and the Art of the Seventeenth-Century Dutch Republic” (Kansas, L. Stone-Ferrier)

Riggs, Marion, “Giuseppe Barberi (1746–1809): Architectural Narratives and Cultural Dynamics in Late Eighteenth-Century Rome” (Princeton, J. Pinto)

Rislow, Madeline, “Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa” (Kansas, S. Cornelison)

Rocco, Patricia, “Maniera Devota/Mano Donnesca: Women and Visual Imagery during the Counter-Reformation in the Papal States, 1575–1675” (CUNY, J. Saslow)

Rochmes, Sophia, “Intermediality in Valois Manuscripts” (UC Santa Barbara, M. Meadow)

Rodriguez-Negron, Iraida, “Earthly Goddesses: Portraits of Catholic Queens in the Golden Age” (IFA/NYU, J. Brown)

Roman, Dulce, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)

Rossi, Nassim, “Depicting the Sultan: Conflict and Representation in Renaissance Portraits of the Other” (Columbia, D. Rosand)

Rudolphi, Adam, “Ornament and Amplification in Painted Vaults of the Later Renaissance” (Maryland, College Park, A. Colantuono)

Rutherglen, Susannah, “Ornamental Paintings of the Venetian Renaissance” (Princeton, P. Brown)

Ryu, Sara, “Made by Human Hands: Sculpture and Techniques of Reproduction in the Early Modern Transatlantic World” (Yale, C. Wood)

Schmid, Vanessa, “Portraiture and Community in Amsterdam, 1650–1672” (IFA/NYU, E-H. Begemann, M. Westermann)

Schneider, Lindsey, “The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650” (IFA/NYU, K. Christiansen, J. Brown)

Shamos, Geoffrey, “Fleshed Out: Serial Personification in Netherlandish Engraving, 1548–1600” (Pennsylvania, L. Silver)

Shay Millea, Mary, “Visualizing the Desired: The Petrarchan Lover Portrait in Renaissance Italy” (Rutgers, S. McHam)

Shields, Rebecca, “The Space Between: Politics and Urban Development in Early Seventeenth-Century London” (Rutgers, T. Marder)

Siemon, Julia, “Bronzino between the Republic and the Academy” (Columbia, D. Rosand)

Silva, Joseph, “Thuscorum et Ligurum Securitati: Cosimo I’s Visual Program for the Naval Knighthood of Saint Stephen in Florence and Pisa” (Brown, E. Lincoln)

Sjøvoll, Therese, “Queen Christina of Sweden’s Musaeum: Collecting and Display in the Palazzo Riario-Corsini” (Columbia, D. Freedberg, D. Rosand)

Smithers, Tamara, “Memorializing the Masters and Celebrating le Tre Arti del Disegno: Late Italian Renaissance Funerary Monuments Honoring Artists and the Arts” (Temple, M. Hall)

Spratt, Emily, “Byzantium not Forgotten: Constructing the Artistic and Cultural Legacy of an Empire between East and West in the Early Modern Period” (Princeton, P. Brown)

Stacy, Christina, “Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice” (Princeton, P. Brown)

Stewart, Pamela, “Corpus Domini and Santissimo Sacramento: Imagining the Body of Christ in Cinquecento Lombardy” (Michigan, M. Holmes)

Stielau, Allison, “Metalwork and the Reformation, ca. 1480–1532” (Yale, C. Wood)

Sullivan, Kathleen, “Anticlassicism, Style, and Meaning in the Work of Girolamo Romanino, 1519–1540” (Rutgers, B. Paul)

Swanson, Susan, “The Work of the Magi: Adoration Imagery and Visions of Globalization in Early Modern Europe” (Minnesota, M. Gaudio)

Switzer, Sara, “Correggio and the Sacred Image” (Columbia, D. Rosand, D. Freedberg)

Taschian, Helen, “Naturalism and Libertinism in Seventeenth-Century Italian Painting” (UC Santa Barbara, R. Williams)

Therien, Devin, “‘Terribile Disegno’ and ‘Eroico Componimento’: Mattia Preti’s Artistic Practice and Its Reception in Seventeenth- and Eighteenth-Century Italy” (Queen’s, Kingston, S. Schütze)

Tita, Silvia, “Forging History: Visual Treatises on the Donation of Constantine in the Sixteenth and Seventeenth Centuries” (Michigan, M. Holmes, T. Willette)

Tokumitsu, Miya, “The Sculpture of Leonhard Kern (1588–1662)” (Pennsylvania, L. Silver)

Tom, Lisa Wuliang, “Negotiating Masculinities and Martial Identities in Early Modern Italian Portraiture” (Brown, E. Lincoln)

Tsoumis, Karine, “Bernardino Licinio: Portraiture, Family and Community in Early Modern Venice” (Toronto, P. Sohm)

Turel, Noa, “Life to Likeness: Painting and Spectacle Au Vif in the Burgundian State” (UC Santa Barbara, M. Meadow)

Uchacz, Tianna, “Dialogue and Dialect in Netherlandish History Painting, ca. 1540–1580” (Toronto, M. Kavaler)

Urban, Emily, “The Sala Bologna in the Vatican Palace: Art and Astronomy in Counter-Reformation Rome” (Rutgers, T. Marder)

Valiela, Julia, “Identity and Ideals: Problems in Sculptural Busts of Women in Renaissance Italy” (IFA/NYU, K. Weil-Garris Brandt)

van Putten, Jasper, “A Cosmography of Exchange: Sebastian Münster’s Cosmographia and the Emergence of the Artist-Chorographer” (Harvard, J. Koerner)

Vranic, Ivana, “‘Thou Shalt Not’: Limits of Verisimilitude and Devotional Practices in Italian Terracotta Passion Groups (1450–1530)” (University of British Columbia, B. Wilson)

Vuagniaux, Anne, “Luxury and Loyalty: Anne de Montmorency as Patron of the Arts” (CUNY, J. Saslow)

Walsh, Catherine, “Landscapes, Ecology, and the Figure in Giambologna’s Appennino” (Boston, J. Cranston)

Warren, Maureen, “Politics, Punishment, and Prestige: Images of the States Party (Staatsgezinden) in the Dutch Republic, 1619–1672” (Northwestern, C. Swan)

Waters, Michael, “Materials, Materiality, and Spolia in Italian Renaissance Architecture: 1420–1540” (IFA/NYU, M. Trachtenberg)

Weiss, Jessica, “Juan de Flandes and the Commoditization of Style in Isabelline Spain” (UT Austin, J. Smith)

Weller, Peter, “Alberti Before Florence: Pre-Florentine Sources Informing the Vocabulary of Leon Battista Alberti’s ‘De pictura’” (UCLA, C. Villaseñor-Black)

Whittemore, Leila, “Theory, Practice and the Architectural Imagination: Filarete’s Treatise on Architecture and Early Sforza Urbanism, 1450–1464” (Columbia, J. Connors)

Wilkins, Sarah, “She Loved More Ardently than the Rest: The Magdalen Cycles of Late Duecento and Trecento Italy” (Rutgers, S. McHam)

Wolken, Christine, “A Profile of Women in Sixteenth-Century Italy: Women and Their Commemorative Medals” (Case Western Reserve, E. Olszewski)

Yeager-Crasselt, Lara, “Michael Sweerts and the Making of the Artist: Academic Ambitions between Brussels and Rome in the Seventeenth Century” (Maryland, College Park, A. Wheelock)

Yee Litt, Kori Lisa, “Lippo Vanni (fl. 1344–76): Between Wall and Page” (Columbia, D. Freedberg)

Yerkes, Carolyn, “The Paradox of Precision: Architectural Drawing between Ancients and Moderns” (Columbia, H. Ballon)

Yuen, Melissa, “Mattia Preti and Roman Baroque Painting, 1633–1653” (Rutgers, C. Puglisi)

Zarrillo, Taryn, “Artistic Patrimony and Cultural Politics in Seicento Venice” (Columbia, D. Rosand)

Zillman, Molly, “Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers” (Delaware, P. Chapman)

Zukerman, Laura, “Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600” (Princeton, P. Brown)