- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Contemporary Art
Dissertations Completed by Subject, 2011
Show in progress dissertations
Brandt, Amy, “Complicity and Critique: ‘Neo-Geo’ Art of the 1980’s” (Graduate Center, CUNY, A. Chave)
Culler, Jeremy, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (Binghamton University, J. Tagg)
Devine, Erin C., “From Translation to Transgression: The Feminism(s) of Shirin Neshat” (Indiana, M. Facos)
Gamble, Lesley, “Her Charming Hand: Essentialism, Artistic Touch, and Feminist Art from the 1960s and 70s” (Florida, M. Hyde)
Geppert, Melissa, “Favela Effects: Brazilian Art at the Intersections of Community Development and Global Markets” (Minnesota, J. Blocker)
Johnson, Brantley, “Beyond the Pale and Back Again: The Case of Mark Wallinger” (Florida, A. Alberro, E. Segal)
Richter, Till, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)
Sheren, Ila, “Portable Borders/Mythical Sites: Performance Art and Politics at the US Frontera, 1968–Present” (MIT, C. Jones)
Wofford, Tobias, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson)