- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
South/Southeast Asian Art
Dissertations Completed by Subject, 2010
Show in progress dissertations
Childers, Hope, “The Visual Culture of Opium in British India” (UCLA, S. Mathur)
Gamache, Genevieve, “Between Localism and Nationalism: Two Contemporary Examples of Thai Temple Art and Architecture in Northern Thailand” (University of Victoria, A. Wright)
James, Soumya, “Political Manipulation of Religious Imagery in Chola and Khmer Interactions: An Integrated Approach to Charting Past and Present Exchanges” (Cornell, K. McGowan)
Kakar, Shalini, “Fashioning the ‘Divine’: Bollywood Stars, ‘Religious’ Fandom, and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)
Ninomiya-Igarashi, Masumi, “Drawn toward India: Okakura Kakuzō’s Interpretation of Rájendralála Mitra’s Work in His Construction of Pan-Asianism and the History of Japanese Art” (UNC Chapel Hill, P. Ghosh)
Rath, Amanda, “Contextualizing Contemporary Art: Propositions of Critical Artistic Practice in Seni Rupa Kontemporer in Indonesia” (Cornell, K. McGowan)
Rod-Ari, Melody, “Visualizing Merit: An Examination of the Spatial Organization of the Temple of the Emerald Buddha” (UCLA, R. Brown)
Sohoni, Pushkar, “Local Idioms and Global Designs: Architecture of the Nizam Shahs” (Pennsylvania, M. Meister, R. Holod)