- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Japanese/Korean Art
Dissertations Completed by Subject, 2003
Show in progress dissertations
Cressman, Elizabeth, “Actor Prints from the School of Utagawa” (Louisville, J. Kloner)
Kal, Hong, “The Presence of the Past: Exhibitions, Memories, and National Identities in Colonial and Postcolonial Korea and Japan” (SUNY Binghamton, J. Tagg)
Langlois, Lisa, “Exhibiting Japan: Gender and National Identity at the World’s Columbian Exposition of 1893” (Michigan, P. Simons)
Lee, Susan, “The Sōōji Screens and the Teinai Yūrakuzu” (Michigan, J. Reynolds, M. Powers)
Milhaupt, Terry Satsuki, “Flowers at the Crossroads: The Four-Hundred-Year Life of a Japanese Textile” (Washington University, K. Brock)
Mueller, Laura, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)
Murai, Noriko, “Authoring the East: Okakura Kakuzo and the Representations of East Asian Art in the Early Twentieth Century” (Harvard, H. Zerner)
Sapin, Julia Elizabeth, “Liaisons between Painters and Department Stores: Merchandising Art and Identity in Meiji Japan, 1868–1912” (University of Washington, C. Bogel)
Spurgeon, Janet Lee, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)
Tiampo, Ming, “Gutai and Informel: Postwar Art in Japan and France, 1945–1965” (Northwestern, S. Fraser)