- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
Critical Theory/Gender Studies/Visual Studies
Dissertations Completed by Subject, 2008
Show in progress dissertations
Czach, Liz, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
De La Rosa, Gabriella, "Picturing the Colonial Enlightenment: Race, Identity, and Difference in French Visual Culture, 1682–1804" (Harvard, E. Lajer-Burcharth)
Huebner, Karla, “Eroticism, Identity, and Cultural Context: Toyen and the Prague Avant-Garde” (Pittsburgh, B. McCloskey)
Innes, Randy, “On the Limits of the Work of Art: The Fragment in Visual Culture” (Rochester, P. Duro)
Jones, Jordy, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)
Korkow, Cory, "Queenship and the Construction of National Identity in Nineteenth-Century British Visual Culture" (Virginia, D. Fordham)
Mizoguchi, Akiko, “Reading and Living Yaoi: Male-Male Fantasy Narratives as Women's Sexual Subculture in Japan” (Rochester, D. Crimp)
Ozka, Derya, “The Misuse Value of Space: Spatial Practices and the Production of Space in Istanbul” (Rochester, R. Haidu)
Schuldenfrei, Robin Schaefer, “Luxury and Modern Architecture in Germany, 1900–1933” (Harvard, N. Levine)
Uddin, Lisa, “Breeding Grounds: Race, Space, and Species in the New American Zoo” (Rochester, J. Saab)