- Chronology
- Before 1500 BCE
- 1500 BCE to 500 BCE
- 500 BCE to 500 CE
- Sixth to Tenth Century
- Eleventh to Fourteenth Century
- Fifteenth Century
- Sixteenth Century
- Seventeenth Century
- Eighteenth Century
- Nineteenth Century
- Twentieth Century
- Twenty-first Century
- Geographic Area
- Africa
- Caribbean
- Central America
- Central and North Asia
- East Asia
- North America
- Northern Europe
- Oceania/Australia
- South America
- South Asia/South East Asia
- Southern Europe and Mediterranean
- West Asia
- Subject, Genre, Media, Artistic Practice
- Aesthetics
- African American/African Diaspora
- Ancient Egyptian/Near Eastern Art
- Ancient Greek/Roman Art
- Architectural History/Urbanism/Historic Preservation
- Art Education/Pedagogy/Art Therapy
- Art of the Ancient Americas
- Artistic Practice/Creativity
- Asian American/Asian Diaspora
- Ceramics/Metals/Fiber Arts/Glass
- Colonial and Modern Latin America
- Comparative
- Conceptual Art
- Decorative Arts
- Design History
- Digital Media/New Media/Web-Based Media
- Digital Scholarship/History
- Drawings/Prints/Work on Paper/Artistc Practice
- Fiber Arts and Textiles
- Film/Video/Animation
- Folk Art/Vernacular Art
- Genders/Sexualities/Feminisms
- Graphic/Industrial/Object Design
- Indigenous Peoples
- Installation/Environmental Art
- Islamic Art
- Latinx
- Material Culture
- Multimedia/Intermedia
- Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
- Native American/First Nations
- Painting
- Patronage, Art Collecting
- Performance Art/Performance Studies/Public Practice
- Photography
- Politics/Economics
- Queer/Gay Art
- Race/Ethnicity
- Religion/Cosmology/Spirituality
- Sculpture
- Sound Art
- Survey
- Theory/Historiography/Methodology
- Visual Studies
African Art (sub-Saharan)
Dissertations Completed by Subject, 2008
Show in progress dissertations
Bortolot, Alexander, “A Language for Change: Creativity and Power in Mozambican Makonde Masked Performance, circa 1900–2004” (Columbia, N. Kampen)
Fromont, Cécile, “Under the Sign of the Cross in the Kingdom of Kongo: Shaping Images and Molding Faith in Early Modern Central Africa” (Harvard, S. P. Blier, T. Cummins)
Hyacinthe, Genevieve, "Traditional Rhythms and Global Remixes: Translating Form in Contemporary Mali Dance Collectives" (Harvard, S. P. Blier)
Keller, Candace, "Visual Griots: A Social, Political, and Cultural History of Individuals in Mali through the Photographer's Lens" (Indiana, Bloomington, P. McNaughton)
Maltz Leca, Leora, "William Kentridge: Process as Metaphor and Other Doubtful Enterprises” (Harvard, E. Lajer-Burcharth, S. P. Blier)
Perrill, Elizabeth, "Contemporary Zulu Ceramics, 1960s–Present: An Aesthetic of Respect" (Indiana, Bloomington, P. McNaughton)
Simbao, Ruth Kerkham, "Performing Patronage: The 'Traditional' Ceremonies of
Zambia’s Afropolitan Chiefs" (Harvard, S. P. Blier)
Werts, Julia Kim, "Imperial Vogue: Fashioning Modernity through Photography in Twentieth-Century Ethiopia" (Cornell, S. Hassan)